Leftöver Crack

Date and Time

Friday, May 22, 2026 8pm

Location

Details

The Orpheum presents Leftöver Crack with support from Spaceman Bob and Human Issue, on Friday, May 22, 2026 at the historic Orpheum Theater in downtown Flagstaff, Arizona.

18+ | DOORS: 7PM | SHOW: 8PM

About Leftöver Crack:

Leftöver Crack is an American punk rock band formed in 1998 following the breakup of its predecessor Choking Victim, sharing band members Stza Crack & Alec Baillie until Alec’s tragic death in November of 2021. The band has created the new record label RECIDIVIST BIBLE CAMP & Is co-releasing a 7” single with Austria’s SBAM records featuring the new song “White Guilt Atrocity Quilt” accompanied by a major motion music video. The song is also slated to be included on the as yet untitled 4th full length album from this New York City based Punk Band. The B side to this new single is an unreleased track from the 2014 “Constructs of the State” record titled “Brad Sabbath”, featuring the classic Leftöver Crack line-up of Stza, Baillie, Brad Logan, Donny Morris & Chris Mann with the more recent addition of singer Tibbie X, formerly of the NYC bands X-Possibles & Kissy Kamikaze as well as the Philly based band GASH. Along with this new single, Leftöver Crack are also in the works of reissuing all of their previous albums, with the exception of “Mediocre Generica” (which remains on Hellcat/Epitaph Records) through the partnership of RECIDIVIST & SBAM.

Leftöver Crack’s current line-up consists of Scott Sturgeon aka Stza Crack (vocals, guitar, synth), Tibbie X (vocals, synth), Jon Yi (guitar, vocals) Skunk Chellovek of the LA band Informal Society (guitar, vocals), Marc Cody (bass, vocals) & Ethan Nickles (drums). Leftöver Crack has both defied genre pigeon-holing while creating the “Crack Rock Steady” musical genre (along with LöC predecessors Choking Victim & No Commercial Value) which mixes anarcho-punk with ska, hardcore, garage, crust-punk & the gloriously unholy metal trifecta of thrash, doom & death. All of this & many other styles are combined with grating crust-punk vocals delivered with a snotty snarling attitude by a multitude of genders & an endless list of vocal & musical inspirations including vastly contrasting musics from top 40 pop from the last 50 Years, to 90’s hip hop, early 80’s goth, late 80’s “alternative”, indie rock & most styles in between & outside of every box. The lyrical content is mostly political & of a radical leftist nature, opposing religion, capitalism, authority & prejudice.

About Spaceman Bob:

Spaceman Bob is from space. Spaceman Bob is here to warn humanity, and to party. Mainly to party.

About Human Issue:

Human Issue is a Southern California hardcore punk band rooted in the raw urgency of 80s hardcore. Fast, direct, and stripped of excess, the band pairs short-burst songwriting with sharp, poetic lyrics and a strict “get in, get out” approach.

Founded by Hunter Martinez, Human Issue began as a music collective rather than a fixed lineup. Members are interchangeable, egos are checked at the door, and the band keeps moving no matter who’s available. If someone can’t make a show or a session, the work still gets done.

The original concept centered on collaboration. The debut EP, Faceless.Nameless (2022), features contributions from Rikk Agnew, Crow Jane, Bryan Lothian, Tristan Martinez, Ricky Schmidt,Jacque Mendez and others. Most of the tracks were recorded almost exactly as they were written. No overthinking, no polishing, and nothing longer than Martinez’s attention span.

What started as an apartment living room recording project quickly grew. Encouraged by close friend and drummer Sam Mankinen, Martinez turned the collective into a live band. Mankinen joined on drums alongside Matt Watkins on vocals, Ryan Marino on bass, and guitarists Dylan Moore and Emmett O’Reilly. With friends rotating in to fill van seats and stage spots, Human Issue took the collective model on the road across the U.S. and into British Columbia.

In 2026, the band hits full stride with IN FLESH, their debut LP. Staying true to their original mindset, the record favors instinct over polish. Most songs land under two minutes, packing hardcore aggression, flashes of melody, harsh riffs, and relentless drums into a tight nine-track, fifteen-minute release. Drawing directly from the lives of Watkins and Martinez, the lyrics are confrontational and personal, delivered with unfiltered intensity.